Beginning from an auteur standpoint, this book interrogates extant cinematic re-presentation of African and Nigerian postcolonial realities in Nollywood. It makes a case, using Kunle Afolayan?s The Figurine, for a critical space-clearing gesture around the notion of a neo-Nollywood which transcends the formulaic cinematic re-presentation of African and Nigerian realities to embrace a visionary and philosophic rearticulation of the role of filmmaking, and of Nollywood, in the Nigerian imagination.
Auteuring Nollywood
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